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Views Read Edit View history. Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. Retrieved from ” https: In and he bottesink in Palermo, supervising the production of his opera Marion Delorme inand in in Barcelona.
He prepared a botteslni audition for the double bass scholarship in a matter of weeks. This style was previously used solely by violinists, violists and cellists. Please help to improve this article by introducing more precise citations. Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation.
On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director.
Bottesini’s bass was said to be a unique instrument with a remarkable sound.
February Learn how and when to remove this template message. This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched.
Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass. It nearly met its end in the s as it sat backstage in a marionette theater in Milan. He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. Here his first opera, Cristoforo Colombowas produced in When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera.
Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven.
Bottesini died in Parma on 7 July His fantasies on Lucia bottedini LammermoorI puritani and Bottessini di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument.
Bottesini wrote three operas besides those previously mentioned: From Wikipedia, the free encyclopedia. Bohtesini purchased the Testore in for lire. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts. Bottesini was also one of the first performers to adopt the French-style bow grip leegia the double bass.
He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.
During these years he diversified the toils of conducting by repeated concert tours through Europe. Only two positions were available: This page was last edited on 21 Decemberat His solo works remain standard repertoire for accomplished double bassists to this day.
Giovanni Bottesini – Elegia in re – Sheet Music –
Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many have come to view the double bass as a diverse and versatile instrument.
Biography portal Classical music portal. Wikimedia Commons has media related to Giovanni Bottesini. List of compositions by Giovanni Bottesini. Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan.
This article elegiq a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.
Only four years later, a surprisingly short time by the standards of the day, he left with a botteisni of francs for solo playing.
In other projects Wikimedia Commons. The Testore bass was later converted back to a four-stringed instrument, and then to a three. After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces. Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso.
It was built by Carlo Antonio Testore in